
Photographed by Norman Jean Roy, Styled by Law Roach, Dress and Stockings, Saint Laurent. Necklace, Ring (Pinky), Van Cleef and Arpels
When the show first aired, Jenner tells me everything Âhappened âso quicklyâ and the workload was extremely intense. ÂContrary to the idea that reality TV doesnât involve too much effort as it seems like nothing but capturing everyday life, shoots went on for six to seven days a week and reached over 16 hours per day. âWe were doing our wardrobe; sometimes even our hair and makeup. We were filming in our own homes,â Jenner reminisces. âWe were proud of where we were living, and we wanted it to be beautiful. So we were also the set directors and the florists, making sure everything was the way we wanted it, as if we had company coming over. Imagine if the whole world is looking at what your kitchen looks like,â she throws. âBut looking back, I never even dreamt that I couldâve had this amazing career starting at 51. I feel really lucky that it happened the way it did, allowing us to do it as a family.â
Photographed by Norman Jean Roy, Styled by Law Roach Coat, Balenciaga
Photographed by Norman Jean Roy, Styled by Law Roach Coat, Balenciaga
As with any good reality TV show, a big dose of drama is an important ingredient to keep audiences hooked. The ÂKardashian family mastered this like no other, resulting in an almost-uninterrupted 18 years on air and counting. We have Âwitnessed their many wins and moments of joy, but also the ugly divorces, the infamous private tape scandal, the physical fights between the sisters, and, in the case of our cover star, a very Âpublic second divorce culminating in the gender transition of the father of her two younger daughters. All of this seems extremely Âcomplicated to navigate in private, and even more complex in front of the entire world. âYou know, we donât have any regrets. I donât live with regrets,â Jenner counters. âWe have a global Âtelevision show in 200 countries and so many languages. Our enormous fanbase is very emotionally invested in the family. At this point, they want to see what we are doing, and they will know everything, especially as we live in the age of the internet. Thereâs nothing off-limits.â She also reveals that the family holds the editing rights of the show, but that doesnât mean things should be hidden from the audience, apart from a bad hair day. âWe always had these rights, thatâs the way I negotiated the deal. I wasnât going to put my family in a vulnerable situation by signing a piece of paper saying they could do whatever they wanted with our image, and we would only see it on TV. But we quickly realized that the raw moments, the tears, and showing our real lives had real value. We only took something out when we looked bad, or there was a nicer angle.â
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