This season with his collection, Takuya Morikawa set out to show what the core of Taakk is made of — both art and everyday wear. “The brand is talking about these two elements,” he explained.

Take the hybrid shirt jacket, made of gradient fabric that gradually morphs seamlessly from cotton poplin to wool, and from solid-color broadcloth to pin-striped suiting material.

A light gray woolen jacket and trousers were festooned with almost paisley-like swirls crafted with meters upon meters of scrunched, darker gray ribbon. Morikawa called this “sculptural embroidery.” A white bomber made of lots of ruched fabric strips was paired with wide gray trousers decorated with the ribbon pattern.

Taakk’s colors were a bit more subdued this season, with Morikawa using a dusky rose rather than a bright pink, for instance, and olive and egg-shell blue.

“As for the styling combination, it’s more a small size with a big size” silhouette, said Morikawa, adding it was especially true for spring 2026. A body-con green lattice-knitted shirt was worn with broad gray denim shorts.

He presented a second season of Taakk bags, inspired by furoshiki, the traditional Japanese wrapping cloths, due to their transformational ability. These were in keeping with his inventive daily-wear always with a twist.

“This season, we are reconfirming what Taakk is,” said Morikawa, who to underline this named his spring collection “The Common Baseline of Art and the Ordinary.”