To paraphrase Usher, Oluwatosin “Mr Eazi” Ajibade and Temi Otedola found love in the club. It was a cold London night in January 2017 when the Afrobeats musician and actor arrived at the Tate Club to watch Temi’s sister, Florence, perform behind the DJ booth. Five years later, Oluwatosin proposed to Temi in Venice on the set of his music video for “Legalize.”

In 2025, the high-profile Nigerian couple held three different weddings across three countries. The first? May 9 in Monaco. It was a meaningful date and location: May 9 is Eazi’s late mother’s birthday, and the Otedola family has a home in European principality. Temi wore a custom suit designed by Wiederhoeft and jewelry by Briony Raymond for their official ceremony at Mairie de Monaco in Monte Carlo. Eazi, meanwhile, went with Louis Vuitton. “We’ve been engaged for three years and together for eight, so we had this weirdly calm energy all day. It just made sense. Just the two of us, in Monaco, a place we partly call home, and no distractions, no fanfare,” Temi says of their low-key legal wedding.

After the paperwork was signed, Temi changed into a Christopher John Rogers black-and-white polka-dot dress for Champagne at Villa La Vigie, Karl Lagerfeld’s home in Roquebrune-Cap-Martin.

Two months later, the couple held a Yoruba wedding ceremony at the Otedola family home in Dubai. Temi, a fashion collector, had an extensive bridal trousseau of four outfits respectively made by Zac Posen, Miss Sohee, Lisa Folawiyo, and Oscar de la Renta. “I wanted to have some of my favorite designers and visionaries create traditional Nigerian attire, and I was blown away by their interpretations,” she tells Vogue. Carrie Goldberg of CLG Creative and Momo Hassan-Odukale assisted as bridal stylists.

Eazi, who worked with stylist Jason Rembert, came out to the beat of drummers in a Lisa Folawiyo Studio custom look and a cane by Tom Talmon Studio. Temi soon followed in a custom Zac Posen dress and gele as the Mr. Eazi song “Skintight” played.

Posen tells Vogue that he envisioned “something that felt almost like Nefertiti”, creating a duchesse satin dress that followed the contours of her body as well as a the complimenting gele. In the back was a statement bow that the designer made to resemble dove wings. “[It]had kind of an old world quality mixed with a futurism and modernism,” he says of the design.