Camilla Stærk’s reissued Muse halterneck skirt.

Photo: Karen Collins / Courtesy of Camilla Stærk

It’s been 25 years since Camilla Stærk, she of the turbans, silver-screen eyebrows, and all-black wardrobe, launched her label. “Fashion is the way in which I found my creative voice,” said the designer, who will mark the anniversary with a release of 11 pieces from across her archive. Among them is a woven leather armor clutch, to which a fine chain has been added, by customer request, to allow for crossbody wear.

For Stærk, who has been actively exploring the world of interiors, that bag has acted like a compass directing her back to her roots. When Noma cofounder Mads Refslund opened Ilis in Brooklyn last year, he invited the designer to create uniforms for the staff, as well as rugs and lamps. “His brief to me was, ‘I just want you to do you,’ and he kept pointing at my signature clutch.” The designer created draped leather fixtures and others with corset-lacing details. These last nod to Karen Blixen, aka Isak Dinesen, whose work and style have been a “source of fascination” for the designer since having read Out of Africa and Seven Gothic Tales as a student in Denmark.

The Leather Drape Pendant by Stærk for Ilis.

Photo: Courtesy of Stærk

Globe lamps by Stærk for Design Within Reach.

Photo: Courtesy of Stærk

The Leather Corset Spotlights by Stærk for Ilis.

Photo: Courtesy of Stærk

Furnishings and four-legged friends preceded fashion in Stærk’s life; her mother is a horsewoman and her father established a respected furniture company called Botium. (The designer’s truly gigantic oversize bag, she explained, nods to those her dad developed “as a beautiful gift-wrapping alternative to deliver the large Verner Panton glass trays that he would gift to people frequently.”) While Stærk started playing with her style as a teenager, it was never, she said, with the aim of being a designer. When it came time to graduate high school, she was “very close to going the furniture route…but then I really had an urge to find my own creative voice and rebel against my family in a nice way.”

After completing a foundation course at London College of Fashion, Stærk enrolled at Ravensbourne College. During the next to last year, the fledging designer landed an internship in New York City with Patrick Robinson, and that experience, she said, “confirmed the fact I want to do this.” She returned to London with the idea of launching her brand with her graduate collection, a career move that wasn’t as common in 2000 as it is today, and the planets aligned. Stærk showed her final project to a buyer at Browns Focus, who placed an order. “I didn’t tell anybody, but she told Hilary Alexander at the Daily Telegraph,” the designer related, “so the day after the graduation show Hilary did an amazing piece about it, and that led to a phone call from Fashion East, which was just starting that season, I was offered to be one of the four designers.”